non-sync perspective
i believe a feeling of disconnection is vital to understanding drama. whether or not it is structured or anti-syncronic. only when you are able to see the pieces, one by one, will you be able to put them together; turn them upside down, change places with them and perhaps even grind them down completely and create something entirely new. an active approach of non-sync perspective enables you to deconstruct, and long for, a connected reality.
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